![]() ![]() For a short while, the troubles that had plagued Houston for more than a decade evaporated. “But she was really working to improve.” This session was better than most after she’d taken her last pass, Houston excitedly asked Mason, “You got it, you got it?” When Mason told her he did, she exclaimed, “Now play it!” The two danced in front of the speakers as the booming party anthem shook the studio. “Whitney had days when she sounded amazing she had days when she sounded decent and she had days when she sounded not so great,” Mason says. She’d already spent several days with Mason working on her part, and still wasn’t finished. Her voice was no longer the brawny, octave-spanning instrument heard on her platinum hits of the Eighties and Nineties. Kelly.Īfter singing a few warm-up scales, Houston hit the mic. Whitney had just finished filming a role in an upcoming movie, Sparkle, and tonight she would lay down her part for a song on its soundtrack, “Celebrate,” a duet with co-star Jordin Sparks written by R. Wearing black pants and a matching black sweater, she rolled into producer Harvey Mason Jr.’s North Hollywood studio with her sister-in-law and manager Patricia Houston. E arly in the evening of February 7th, Whitney Houston was ready to reclaim her place in music. ![]()
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